UNTITLED CONVERSATONS: 1, 2, 3... (performance)

So, two Saturdays ago we presented UNTITLED CONVERSATIONS: 1, 2, 3... Marie Collins, Jess Hall, and Laurie Parsons were our intrepid performers. This was not just their first time presenting such intimate and participatory work, but it was also the first time they engaged in a duration activity of this kind. They were at it for over an hour and 15 minutes!

UNTITLED CONVERSATION 1:

Instructions: Choose a number between 1 and 10. Put the earphones on. Sit down at the table. Press play. Ring the bell. Enjoy! This was an intense exchange between performer an audience member. Placed within a public setting, they both shared a charged and magical moment, and looking deeply into each other's eyes, the performer wrote a stream of consciousness based on the impressions received from the audience member. At the end of the exchange, after putting on the blindfold again, the performer handed this text over in a sealed envelope. The experience was largely shaped by the qualities brought to the table by the audience member, as well as the music track they would have unknowingly chosen.

UNTITLED CONVERSATION 2:

Instructions: Walk in, alone. In a quite room, the performer faced a small mirror placed on an easel. The audience members essentially received no instructions. A red line of tape on the floor suggested an area that should not be stepped into, other than that, they had to work out the mechanics of the engagement by themselves. The performer would make eye contact with the audience member and, without speaking a word out loud, they attempted to communicate. Anybody who was not skilled at lip-reading would have found this to be a very frustrating experience. At the same time, the audience members would often talk out loud, drawing attention to their own voices.

UNTITLED CONVERSATION 3:

Instructions: No overt ones whatsoever. A performer sits on a chair in a public place, hiding behind a 'mask'. No words are spoken, only glances are exchanged. In this way the performer beckons over an unsuspecting audience member and invites them to sit down and hide behind another 'mask'. A whispered conversation ensues, at times coquettish at times coy, at times warm at times cold. As they talk, both are observed by other members of the public and, at points, 'perform' for them a playful dance of peekaboo.

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We did have some notebooks for the audience to write their feedback.... And the organisers of the event did give out some forms as well. So, as soon as we have had a meeting with our fantastic performers to debrief, I will write a little something about how the pieces went. So, watch this space.

Pablo

Venue for: i am small THE WORLD IS BIG

Those of you already familiar with i am small THE WORLD IS BIG might remember that we were quite keen on locating the project in metaphorical or actual seats of power. In its first incarnation, in February 2010, the piece occupied the Senate Building at the University of Kent (where all important counsel meetings regarding the university's governance are held). So, now that the project has grown tenfold and will be Kent-wide... What would be the ideal venue? Something suitable large? Something with connections to power? Something which would be the perfect location to tap into the project's international, socio-political, and personal concerns?

(cue drum roll)

Of course, it could only be County Hall in Maidstone! On a practical level, you could say it is the geographical centre of Kent (and it is easy to get to because Maidstone East train station is just over the road). More importantly thou, on a conceptual level, is is also the political centre of Kent - the main base for Kent County Council. Since they are funding this next versoon of the project, it makes sense to choose this as a venue for a number of reasons.

The building is quite impressive from the outside. Solid. Stable. Gray. Though the entrance now used is on the side, we prefer this main/majestic archway. There is definitely a sense of 'drama' as you walk into the courtyard. So, the fact that i am small THE WORLD IS BIG will take over this building, and offer people a peek into it, will hopefulyl spark a number of very interesting/relevant associations.

Essentially, i am small THE WORLD IS BIG will occupy and animate four distinc areas/environments. There is obviously the courtyard. Hopefully we will be able to secure full access to it, and ensure that there are no cars parked there...

As you face the building, on the right hand side, is a glass entrance to the main reception area. Aesthetically speaking, we have begun to move away from the corportate feel we used in the previous version of the project, and towards a more homely/makeshift/personable feel. It will be interesting to see how we can, temporarily, transform this reception area and reimagine its use.

Past the reception desk, up a few steps, is the entrance to the next area/environment: the gallery. This is a long, though relatively wide space, which is sometimes used for exhibitions. It is likely that the 'satellite' activities will be located here, because it is a space to prime/prepare the audience for the main action: the bringing together of various re-stitched map fragments created by the communities. What excites us is that, unlike in other historic/official building we have worked in before, this space has panelling all around it (yay, no more agonising as to whether we can use pins or blue tack).

From the gallery you enter the main hall. This is actually only used as a transitionary space and KCC staff just walk through it as they go about their business. However, it is where we will place the heart of the project: the map-making. It has a lovely stone floor, and plenty of pannelling along the walls. For better or worse the large doors that lead back onto the courtyard cannot be open. This inevitably means that the audience will go on a linear journey, and then go back on themselves to exit. We just have to work with what we got. What interesting and potentially very useful, is that the hall has essentially two levels. The main space is the 'ground floor', but then there are some steps onto another level, which is conveniently framed by something resembling a proscenium arch! From there, a grand staircase leads to the first floor. What's great about this is that, even though we cannot use the first floor, we will hopefully be able to use the staircase... It would be idea for any 'grand' entrances (not that we have one at the moment).

More to follow soon.... If you want to find out how we will occupy/transform County Hall, watch this space...

Pablo

PS: I am pretty sure I have already introduced her, but just in case I forgot... We are working with a scenographer! Fiona Watt. Her background is in stage work, but she has increasingly been drawn to site-specific or non-text-based work. Check out her website: http://www.fionawatt.com/ We have already begun to have some very interesting conversations, and when she came to see County Hall with us she was as enthused as we were. I think I will leave all of that for another time thou...

one to one performance

Just had a session with some students at The University of Kent (applied performance) we were talking about making work FOR people and tomorrow we're going to look at one to one performance as i think its a good way to get juices flowing on the subject creatively.... this is definately worth a look!
www.thisisliveart.co.uk/Resources/Study_Room/Guides/Rachel_Zerihan.html

if you're interested...

Rick

Untitled Conversations: 1, 2, 3... (rehearsals)

This evening we had our second rehearsal for what is not called Untitled Conversations: 1, 2, 3...
What happened to the first rehearsal I hear you say? Well, I must confess that I forgot to blog about it. Apologies.
So, to recap.... When we found out about Glue’s “Scratch Interact” event we thought this would be a fantastic opportunity to dust off one of those ideas that has been sitting on the shelf for quite a while, and try it out.
Untitled Conversations: 1, 2, 3... is our first piece that will be entirely delivered by a different set of performers: Marie Collins, Jess Hall, and Laurie Parsons. They are all in their final year at the University of Kent, specializing in ‘Contemporary Performance Practice’ (which is the course we completed in 2006). Essentially we have created three one-to-one performances that last only about 5 minutes, and these three lovely people will be delivering them on the day of the event.
At the moment the piece works as a triptych, composed of three short one-to-one encounters which can be experienced in any particular order. Placed within a public space, Untitled Conversations: 1, 2, 3... attempts to interrogate the nature and limits of communication, connections and intimacy within task-based scenarios. Can something unspoken take place between us? Can we share a special moment? Can we really come together when others are watching us? Though tight in its construction, and with various degrees of interaction, the piece is deliberately open to your interpretations and associations.
Here are some pictures of our first rehearsal:

And here are some pictures of this evening’s rehearsal. The black, formal costumes worked a treat, and the use of red elements helped tie them all together:

We think the piece is ideally suited for foyer setting, so we will see how the scratch goes and what happens to the project from here onwards.